Something Was There: Photography and Presence in the Age of Generative Images
Yet photographers do not play with their plaything but against it.
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Post
Browse 14 articles about Post from Afterimage Photography.
Today’s Art — Reading Notes
Reading Taro Okamoto’s Today’s Art, this essay explores why art exists, what genuine innovation means, and why art belongs to everyone—not only trained artists and experts.
Not Here — Reading Notes on The Depth of Silence
Reading Mark Strand’s Hopper through Gas and Cape Cod Evening, this essay reflects on light, distance, solitude, and photography: What are we really photographing?
Why Photography Criticism Matters
Why are a master’s photographs praised when you cannot see what makes them good? From the art market to researching photographers, this essay explores how criticism builds judgment and helps us find our own photographic path.
How to Make Good Photographs
Do blur, sharpness, and camera settings really define a good photograph? Through composition, humor, self-expression, everyday photography, and visual reading, this essay explores how to recognize beauty and make images with substance.
Images of China and Its People
Were the Chinese people of a century ago truly different from us today? Through late Qing photographs in Images of China and Its People, this essay examines form, content, foreign observation, and the enduring power of documentary photography.
What Are We Photographing When We Photograph Wastelands? — New Topographics
Why can wastelands, industrial remains, and ordinary urban buildings become “good photographs”? From German New Objectivity and Paul Strand to landscapes reshaped by industrialization, this essay explores how New Topographics changed the way we see land and ci……
The “Language” of Photography
Why can the same flash and street-photography techniques produce entirely different images? Through Bruce Gilden, Nobuyoshi Araki, and Martin Parr, this essay considers how photographers move beyond imitation and style to find a language of their own.
Deconstructionist “Misreading”
Does a photograph belong to the artist’s intention or the viewer’s experience? From “the death of the author” to the idea that all reading is misreading, this essay explores interpretation, uncertainty, and the limits of photographic meaning.
Why I Photograph
What is photography, and what should we photograph? An exploration of painting, technique, observation, expression, curiosity, and the reasons we choose to pick up a camera.